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X-WR-CALNAME:Goethe Institut, Max Mueller Bhavan
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DTSTAMP:20261029T172036Z
UID:de.goethe.27378263@blr.today
DTSTART:20261030T160000
DTEND:20261030T180000
CLASS:PUBLIC
COLOR:lightskyblue
DESCRIPTION:Join us forA Space for Us\, a bangaloREsidencyfinal presentatio
 n byChristine Koschelon October 30\, 2026.4:00 pm Snacks & Talks4:45 pm Re
 ading5:30 pm Lecture Performance6:00 pm Music with Kris & SwethaDuring her
 bangaloREsidencyatNamma Katte\, Christine Koschel explored the relationsh
 ip between the body\, the spaces it inhabits\, and the communities it for
 ms part of.Through a reflection on embodied experience\, collective exhaus
 tion\, and practices of care\, her work considers how shared spaces might
  become sites of rest\, connection\, and political imagination.Friday\, Oc
 tober 30\, 4 pm onwards35/1\, 3rd Cross Rd\, Cooke TownEntry free. All are
  welcome.
LOCATION:35/1\, 3rd Cross Hutchins Road\, Cooke Town\, Bangalore 560029\, I
 ndia
STATUS:CONFIRMED
SUMMARY:A Space for Us
TRANSP:TRANSPARENT
URL;VALUE=URI:https://www.goethe.de/ins/in/en/ver.cfm?event_id=27378263
CATEGORIES:A bangaloREsidency 2026 Final Presentation,GOETHE,Visual Arts,CB
 D,PUTTINGSCENE,FREE
X-BLR-TYPE:VisualArtsEvent
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DTSTAMP:20261029T172036Z
UID:de.goethe.27378030@blr.today
DTSTART:20261031T183000
DTEND:20261031T203000
CLASS:PUBLIC
COLOR:darkslateblue
DESCRIPTION:Signal Traces: Bengaluruis an exhibition by artist Thomas Lea C
 larke\, developed over two months spent listening to Bengaluru and discus
 sing sound\, music and memory with people whose lives and work engage wit
 h sound in different ways. Through interviews with musicians\, artists\, t
 echnicians\, residents\, instrument builders\, a sound archaeologist and 
 a neuroscientist\, Clarke explores how sound lives on in recordings\, voi
 ces\, bodies\, spaces and objects\, and how different forms of listening c
 an affect the experience of our environments.Saturday\, October 31\, 6:30
  pmIndian Music Experience MuseumEntry free. All are welcome.The exhibitio
 n takes the form of a four-channel sound installation\, a photographic ser
 ies and a publication. In the sound installation\, fragments of recorded 
 conversations move through the space alongside field recordings and music
 al elements\, forming a shifting listening environment in which personal 
 recollection\, everyday sound\, musical practice and the material cultures
  of listening intersect. The photographic series focuses on the people\, 
 objects and spaces encountered during the project\, tracing the physical 
 environments and material forms through which sound is made\, stored\, rep
 aired\, transmitted and remembered. The publication presents the intervie
 ws in longer form\, allowing conversations heard only fragmentarily withi
 n the installation to retain their individual context and complexity.At t
 he centre of the work is an interest in how sound and music are heard\, re
 membered\, shared and passed between people. The project considers not on
 ly what is heard\, but the spaces\, technologies\, habits and relationshi
 ps through which listening takes place. Sound can persist through recordin
 gs and objects\, but also through bodies and voices\, learned gestures\, 
 repeated songs and oral histories. The learned swaras of a raga\, a flash
 back to a dancefloor twenty years ago\, an enduring friendship forged ove
 r radio waves\, and the pitch remembered in the hands of a veena craftsman
  as he sets its frets in beeswax are all examples encountered here of how
  sounds can remain in the body long after they are heard. In this sense\,
  the project considers sound as both transmission and trace: something tha
 t travels between people\, technologies\, places and periods of time\, ac
 quiring new meanings as it moves.Rather than attempting to construct a com
 prehensive sonic history of Bengaluru\, the work approaches the city thro
 ugh partial and situated experiences of listening: music encountered in ho
 mes and public spaces\, songs passed between generations\, records and ca
 ssettes collected and replayed\, machines and instruments repaired and ma
 intained\, and sounds embedded in everyday life. These accounts do not re
 solve into a single narrative or fixed chronology\, but remain distinct\, 
 sometimes converging and sometimes contradicting one another.Thomas Lea C
 larkeis a Berlin-based sound artist and electronic musician. His work brin
 gs together installation\, composition\, field recordings\, interviews\, 
 archival material and recorded music\, examining how sound shapes and is 
 shaped by our environments\, and how it is stored\, transmitted\, replayed
  and remembered. Signal Traces: Bengaluru was developed during his bangal
 oREsidency at Indian Music Experience Museum\, organised through the Goet
 he-Institut / Max Mueller Bhavan Bangalore.
LOCATION:Indian Music Experience Museum\, Opp.Wood Rose Club\, Brigade Mill
 enium Rd\, JP Nagar 7th Phase\, Bangalore 560078\, India
STATUS:CONFIRMED
SUMMARY:Signal Traces: Bengaluru
TRANSP:TRANSPARENT
URL;VALUE=URI:https://www.goethe.de/ins/in/en/ver.cfm?event_id=27378030
CATEGORIES:A bangaloREsidency 2026 Final Presentation,GOETHE,Music,JPNAGAR,
 EXHIBITION,PUTTINGSCENE,FREE
X-BLR-TYPE:MusicEvent
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